I recently came across this very interesting-looking documentary by Keanu Reeves that looks at the advent of digital filmmaking and its ramifications.
Side by Side Official Trailer (2012) from Company Films on Vimeo.
No doubt about it, the film industry is currently undergoing a radical transformation: the adoption of digital technology.
Now, of course, digital video has been around for a long time, maybe a couple of decades or more. I certainly remember the early days, when video on a computer was restricted to a tiny little player window. The picture often stuttered, and editing was slow — and capabilities were extremely limited. At least for ordinary people; super-expensive top-end stuff was way better.
Over the years, digital video has gradually become more commonplace. Macs were running iMovie back in the 90s, and digital video camcorders were everywhere. And yet the “pro” level was still exclusively film-based. They used big, bulky movie cameras with cartridges of film, galaxies of little lenses, and a semi-trailer truck loaded with supporting gear.
But video technology has now developed to a very high level. One breakthrough was the arrival of dSLR cameras that made use of their superb sensors and lenses for shooting very high quality video. Another was the fact that today’s computers are very high-powered indeed, allowing for the everyday use of what were once “Hollywood” techniques like chroma keying, multitrack, multi camera editing, and advanced animated titling.
The end result is that digital video has now finally reached a level of quality equal to that of film. In some ways it’s even superior; for instance it’s recently become possible to capture footage at a mind-boggling one million frames per second – just for comparison the standard speed for motion pictures is 24 frames per second.
Personally I think the real advantage that digital has over film is sheer cost: you can get a high-quality digital video camera for a fraction the cost of a film camera (which are so expensive that they’re usually rented anyway), a few lenses, and a bouquet of memory cards on a very tight budget. After that all you need is a reasonably new computer and software, and you have a kit that will let you make as many films as you want for zero cost. No consumables, no processing, and no moving parts.
Really, the only thing preventing the wholesale abandonment of film is the personal taste of filmmakers. Lots of people don’t trust digital, or don’t understand it, and that’s fine. But the younger generation coming up will only have worked in digital, so old-school film-reel movie making is, in the long term, doomed.
But I think that’s a good thing. It means a formerly expensive medium is becoming democratized. Anyone can make a professional-looking film on next to no budget. It’s especially exciting to see young people take to the digital medium as if they were born to it.
This is sure to change the face of film for decades to come — maybe forever.